Original 1928 Marie Laurencin Lithograph - Head of a Young girl with a Ribbon On

We are offering an original 1928 lithograph by Marie Laurencin titled: 

This piece is matted and framed. The back has information regarding provenance and framing. 

Frame Size:

Height: 20 3/8"

Width:16"

Weight: ~2lbs

Condition:

In good age related condition. Some foxing and discoloration to paper, slight damage to frame. Please see all photos for complete description. 

Laurencin was born in Paris, where she would live for most of her life. She was raised there by her mother, Pauline-Mélanie Laurencin (1861–1913), an unmarried domestic servant. Although never confirmed, Marie Laurencin believed that she had Creole heritage through her maternal grandmother, something she saw as part of her identity her whole life. Her father, fiscal administrator Alfred-Stanislas Toulet (1839–1905), visited her during her childhood and paid for her education. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.

During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910–1911) and the Salon d'Automne (1911–1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult.

During the First World War, Laurencin left France for exile in Spain with her German-born husband, the artist, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. She was greatly affected by her separation from the French capital, the unrivaled center of artistic creativity. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930s. During the 1930s she worked as an art instructor at a private school. She lived in Paris until her death.

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